PROPERTIES / VISUAL ARTS
The Public Theater
Properties Intern
Painted and distressed props and set dressing and dressed downstage area with water bottles and greenery for Coriolanus. Built and painted puppets for Hercules.
Props Supervisor: Sara Swanberg • Resident Properties Master: R. Jay Duckworth • Associate Props Supervisor: Rebecca David • Asst. Props Master, Coriolanus: Alexander Wylie • Puppet Master, Hercules: James Ortiz
Production Photos: Joan Marcus
SHakespeare in the park: COriolanus
Painted/distressed cans, did notes/touch ups on water barrel
Public Works: Hercules
Hydra head pieces (photo: Katie Pyzowski)
Hydra head in progress (photo: Katie Pyzowski)
Hydra body
Hydra heads and bodies assembled (photo: Katie Pyzowski)
Cabaret
Prop Master
Co-Prop Master: Jillian Tone
Music by John Kander • Lyrics by Fred Ebb • Book by Joe Masterof
Director: McCaela Donovan • Music Direction: Catherine Stornetta • Choreography: Olivia Tennison
Scenic Design: Afsoon Pajofar • Lighting Design: Marcy Barbeau • Costume Design: Samantha Garwood • Sound Design Aubrey Dube
Maintained paperwork and budgeting for over 700 props and set dressing of audience areas and entries
Did dramaturgical and image research on props and set-dressing
Designed paper props
Sourced 93 chairs for audience seating for $50 rental cost
Sampled and charged prop paint treatments
Set-dressed onstage dressing room platform
Fireplace Area: Cliff's Apartment
Run crew as (candy) cigarette girl & coat check staff
Antigone
Prop Master
Co-Prop Master: Elizabeth Pattyn
Adapted by Jeremy Sams from the play by Jean Anouilh
Director: Jim Petosa
Scenic Design: Lindsay Fuori • Lighting Design: Aja Jackson • Costume Design: AJ Jones • Sound Design: Stephanie Yackovetsky
Guards carrying metal staff (above) & sample of metal finish on wooden dowel (right)
Bodybag props
12' pit into which bodybags were thrown
The War Reporter
Props Master
Boston University Fringe Festival Opera, 2017
Stage Direction by Jim Petosa • Conducted by William Lumpkin
Composed by Jonathan Berger • Libretto by Dan O'Brien
Scenic Design by Michelle Sparks • Lighting Design by Matthew Rogers • Costume Design by Lauren Reuter
Chair Props
Painted with black semigloss in a pneumatic gun
Crotales (Pulitzer Prize Medals)
Painted CDs with wooden knob and dyed gray ribbon
Instrumental Props
Borrowed instruments from BU School of Music
Visual Arts
2016-2022
Fabric Study
Graphite, from photo
De Bijenkorf (department store in Amsterdam, the Netherlands)
Graphite, from photo
Ball Jar
Graphite
Stearns Road, Storrs, CT
Pen and ink
Street Scene
Pen, from photo
Commission piece-view from clients’ former apartment window
Acrylic
Museum of Fine Arts, Boston, interior
Graphite
Pointe Shoes
Watercolor, from photo
Architectural Ornament Study
Graphite, from photo
Museum of Fine Arts, Boston, exterior
Graphite
Molding
Graphite, from sketch
Clarinet ligature
Chalk pastel and charcoal
Costume Design Renderings
The Lady Aoi by Yukio Mishima
Costume Design 2: 2020
THe Respectful Prostitute by Jean Paul Sartre
Costume Design 1: 2017
THe Maids by Jean Genet
Costume Design 1: 2017
Jewelry
2015
Pitcher Necklace
Nickel Silver and Bronze
Photos by Mira Gordin
Stone Set Rings
Lapis Lazuli in Bronze (left) and Nickel Silver with Ball-Peen Texturing (right)
"Light" Ring
Copper with Hammered Inscription
Ceramics
2015-2016
Pitcher Project
Pitcher Project
Geometric Teapot
Udu Drum pre-firing (burnished terra sigillata finish)
Udu Drum
Awarded Connecticut Scholastic Art Awards Gold Key
